Quite a while before Homer G. Adams was willing to listen to what these.

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Frames of computer animation. But. . . when exactly did these snapshots give rise to conscious thought? While they were being computed? Or in the brief interludes when they sat in the computer's memory unchanging doing nothing but representing one static instant of the Copy's life? When both stages were taking place a thousand times per subjective second it hardly seemed to matter but very soon- Squeak. 'Trial number four. Time resolution fifty milliseconds. " What am I? The data? The process that generates it? The relationships between the numbers? 48 All of the above? "One hundred milliseconds. " "One. Two. Three. " Paul listened to his voice as he counted-as if half expecting to begin to notice the encroachment of silence to start perceiving the gaps in himself. "Two hundred milliseconds. " A fifth of a second. "One. Two. " Was he strobing in and out of existence now at five subjective hertz? The crudest of celluloid movies had never flickered.
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